









Nuts and Bolts In 1997–98 Rosenfeld ventured into something new—to some, abstract. In his words, “I had to start something, but what? I began to draw black lines on top of the paper. I worked my way down the paper to the bottom, drawing more black lines. Then I stepped back and looked at what I had. The forms I created on the paper had two distinctly different shapes. One form looked like a square donut. The other form looked like a beer can. I called them Nuts and Bolts. I sat down and stared at the paper. Interesting; I broke the ice. Now, how to proceed? How do I find colors I’ve never seen before? Or an architectural interplay yet untested?” One time, a visitor seeing these paintings commented that they were “abstract.” Rosenfeld disagreed—“No, Antonia. These are nuts and bolts!”